Once Upon a Time 2×18 “Selfless, Brave and True”

Are they kidding me with this?  At least this one wasn’t boring.  On the other hand, it wasn’t really better for it and that’s tough to do.  SPOILERS:

1. I believe all the flashback!August can be summarized like so: He was even more of an idiot than even I expected.  This is also tough to do at this point and not really better for it.  This is clearly the secret name of this episode-“Tough to do, but no better for it.”

2. To be less summarizey, August was turning back into WOOD.  WOOD!  Like a living wooden puppet!  And he went to…THE HOSPITAL!?!?  Nevermind his ethics, for that act of stupidity alone he deserved to be tasered.  However, it wasn’t alone, because the second you know he actually went around TRYING to show normal, everyday people that he’s turning back into a giant wooden puppet (*headdesk*) and found out no one normal could see it, than it makes his act of trying to make a big reveal of his woodiness to Emma in order to convince her of things, and subsequent surprise at Emma’s lack of seeing woodiness, INFINITELY MORONIC.  I CANNOT EVEN.

3. If that guy was supposed to be Mushu from Mulan, than I officially call that these show’s writers must all have a secret vendetta for that movie for some reason.

4. They realize that arrow shooting song is also used in “10 Things I Hate about You”, which also features angry/confused women shooting arrows, right?  That cracked me up.

5. Yes, clearly the ability to project your own deep personal issues onto someone else and push them into all sorts of things they’re not ready for just for your own peace of mind is DEFINITELY the shortcut back to being the pure, non-blackened, good side of yourself.  Way to go, Team Snow.  (*glare*)

6. It is plain that the writers don’t even care about the Owen/Regina dynamic.

7. I desperately wanted Regina’s speech about juice cleanses to end with “Apple juice, of course.”

8. WHY IS THERE NOTHING ELSE I CAN SAY ABOUT REGINA THIS EPISODE?  TOUGH, AND THE OPPOSITE OF BETTER FOR IT.

9. At this point I’m just going to start making up my own legend/fairy tale/mythic tie-ins.  For instance, someone rewatch the last episode and find out how many pieces of apple daddy Kurt ate at Regina’s house-that’s how many years she kept him in the asylum to punish him.

10. So, that whole huge deal August made last episode about needing magic in order for the woodiness to not kill him-which they REFERENCED this episode by saying that he couldn’t move at all before magic was restored-is somehow not going to prevent him leaving town?  There’s still no magic outside Storybrooke, right?  August is still all wood, right?  You even JUST REMINDED EVERYONE MULTIPLE TIMES that the reason August needed to help with the curse was so the woodiness wouldn’t kill him through paralysis…..Yet they had August driving out of town-where there is no magic-and….nothing bad happened. (*headdesk headdesk headdesk*)  Bad show!  Bad!

11. I’m sorry, if August had time to say “Emma” twice he could have spit out “Tamara” no problem.  Sadly, he’s been shown to be such a colossal idiot this episode that what happened is, indeed, believable.

12. Yes, the obvious way to fix everything is to put people back in time with NO memory of what they did wrong, so they will be unable to learn from their past actions.  Uh-huh.

13. You know what?  The end of this one was such a huge mess I don’t even think it’ll be satisfying to point out all the different things that went into making it so.  Let’s just stop here.  There’s plenty enough to headdesk and be upset about without getting any closer to the Tamara or August endings here.

Is this one of those things where someone’s getting kicked off the show so they’re doing their best to leave it in the worst shape possible right before they’re forced to leave?  It’d explain a lot.

Once Upon a Time 2×6 “Tallahasee”

Otherwise known as “We’re Bringing Flashbacks Back!”

Spoilers:

To Whom It May Concern,

I have some notes.

First, if Neal turns out to be Baelfire I will have to stop watching.  Granted, if Baelfire turns out to be anyone without a decent reason for staying young for hundreds of years, I will have to stop watching.  I do not understand all these people claiming time can move differently-the curse happened, time froze for 28 years in both Fairy Tale Land and Storybrooke.  Ergo, time moves the same.  Also, magic beans claim to be world jumping, not time jumping.  Otherwise we’d have to worry about syncing up with Hook’s Neverland time, etc., and that’s just not going to fly.  Also, the world jumping power of wood, said to work like the beans, spat Emma and Pinocchio out at the same time, Emma came out after the same number of minutes that had passed since Pinocchio went through the wardrobe, etc.  As far as I can tell, there’s lots of evidence to say that time moves the same in Fairy Tale Land-which is also physically UNDER Storybrooke, making it harder to defy laws of space and time, and absolutely no evidence that time might move differently between them.  Acceptable solutions from Baelfire still being alive are: Rumple, with the Dark One’s power over time, charmed his son to stay forever young, Baelfire became a Lost Boy and therefore did not grow up (most advisable, seeing as it will give Hook interesting leverage with Rumple and make that plotline thicker), or Baelfire came across another world-traveler like the Wizard of Oz and got something to keep him going.

Second, I’m impressed August actually did manage to track her down in those circumstances.  I’m sticking with my idea that there’s a connection between August, Neal, and Pleasure Island, and that the box held some magical proof August had been there.  If Neal had been there too he would recognize it and be forced to admit that yes, he had experienced magic.  Alternatively, the White Rabbit possibility has gained watches.  Perhaps August came across something Wonderlandish somehow.  About how he sent Neal the postcard-I feel the show covered this.  August explained he needed magic because he was turning into wood.  Ergo, when magic returned, it made Pinocchio’s woodiness no longer a problem and he could therefore send postcards.  On the issue of August’s high-handedness, well-Pinocchio was never very smart, was he?  It’s true that if Emma was happy in the real world she probably wouldn’t want or need to go looking for another, more magical one.  The end.

 

Third, the writers put no thought whatsoever into that giant story.

1.Turning Jack and the Beanstalk  into Jack the Giant Killer is simply switching tales.

2. Indicating that wars happen with one totally good side and one totally bad one is always overly simplistic, and the details of this one make it absurd.  The giants did have the magic beans, and they do have a lot of treasure.  Are we to not believe they were plundering the worlds?  Perhaps they did it peacefully, perhaps they considered it their right, perhaps they had legal trading rights, but surely they were gathering wealth from the worlds.  Sure, this means FTL probably fought them in order to get the treasure more than anything else, but then-that’s the giants’ motivation too, right?

3. Also, why would the humans want the beans destroyed?  Any way you look at it, that makes no sense.  All around more likely that the giants did destroy them themselves when they were losing-in a just war or not.  Also, they’d be the ones who’d know how to make the beans non-functional but still present.

4. Speaking of which, there’s a way to make the beans non-functional even though they’re physically present?  Those things make less sense all the time.

5.How does giant Hurley eat?  There didn’t seem to be any livestock or agriculture up there, he doesn’t seem like a cooking type, and he doesn’t even have beans anymore.  Does he just spout the magic number and it sustains his life?

6.The cage with the trip wire was giant-sized.  Were there other giants who tried to get Hurley’s treasure back in the day?

7. In what world is it believable that the cage could hold down giant Hurley?  That whole section was ridiculous-the giant had no reason to be afraid or or talk to Emma other than to move the story along.

8. Emma couldn’t ask Mulan how long the poppy powder would keep the giant out?

9. Hurley just left the body of Jack the Giant Killer in the middle of his house until it turned into a skeleton?  If Hurley’d even eaten Jack he wouldn’t still have held his sword like that.  Is that a reminder that humans are killers?  If so, why do you also need to wear a bean-that’s the best reminder right there.  Also, why in the middle of the floor?  Do you never actually look through your treasure?

10. Engraving sword blades is reserved for the name of the SWORD, notes about what the sword entitles its owner to do, and possibly a riddle or instruction.  That is it.  It is NOT for engraving the name of the sword’s wielder.  That’s just ridiculous.  Granted, Jack could’ve  named his blade Jack, but that indicates that he’s vain, unimaginative, and/or extremely fond of bad wordplay jokes.  None of those options make me like this guy no matter what the real story of the Giant wars was.  Am glad he’s dead.

11. Not to mention, leaving sharp, bloodless blades (in spite of the fact it was still held by the skeleton of a long dead man and apparently not moved-perhaps Hurley got Jack cause the vain idiot just had to clean his sword?  Fits the character of someone who’d engrave their own name like that.) lying around in the middle of your room, does leave you somewhat open to attacks by said blades.  Giant Hurley should probably just wake up.  Or maybe get that kraken pet to keep him on his toes.

12. How do people know what these giants have in their collection if everybody’s dead or a ridiculous giant living alone and barely speaking, therefore not spreading rumors about their stash?

I can’t talk about that anymore.  Let’s move on to Hook.

1. You can’t simultaneously sell a character on being a charming rake AND an anguished bereft lover at the same time.  You can arc from one to the other in an actual story, but you can’t just take the same guy and switch him back and forth.  No.

2. He is the most inefficient person yet.  We want the giant out-hey, I’ll yell at him and hope you have decent aim, assuming he bends over enough for you to conceivably hit him in the face with that magic!  We need to find the compass before the giant wakes up-perfect time to meander about, daydream over random gold, and hit on the girl!  THAT’S the guy you want on your team.  Yep.

3. Guy does not have a decent pickup line in him.

4. I really believe he’s just there so the writers can force him to say more painfully shoehorned references like “Tick-tock.”

5. If he heard Emma’s negotiating with the giant, which he seems to seeing as he’s complimenting her on it as she pulls him from the rocks, then how did he miss her arrangements with Hurley over him?  It’s not like they were whispering.

6. Also, Emma?  Ever heard of keeping your enemies closer?  I’m pretty sure that’d be a good idea here.  Also, he’s the one who knows where Cora is and all-that could be pertinent information that I didn’t see anyone prise out of him.  Plus, what’s your obsession with 10 hours?  Couldn’t make it 12 or like, a day?

Oh, and about this compass:

1. Since when do you need that to find worlds?  Bae didn’t need it, Hook didn’t need it before….this is very confusing and inconsistent.

2. I am disappointed by the lack of Pirates of the Caribbean.  Perhaps Hook will fall down the beanstalk and start moving like Captain Jack Sparrow.  Best possible thing that could happen to the character all around, really.

On Aurora and Henry’s nightmare: well done, the best thing this episode.  There are too many wonderful possibilities to expound on here.  Just don’t let me down.

That is all.

Signed,

wheresmytower