Once Upon a Time 2×24 finale “And Straight On Til Morning”

There’s no leaving the need for spoilers:

 

-Does anyone else find it highly suspect that the holy Tamara and the sacredness of her quest allow her to leave escape plans with the most selfish males she meets, aka August and then Hook?  ANYONE ELSE feel that’s pretty much a red flag around here?

-So, Snow White is now clearing the darkness in her heart AND proving her and her hubby’s leadership skills by…declaring that she wants to risk the lives of herself, her family, and all of her subjects for Regina’s because it’s the “hard path” and because she still feels guilty over killing her mom.  This is the most selfish, horrible leader thing ever.  Luckily, I love Regina and really need her to live, I just thought we were going to get there through Henry or even Emma’s that-is-wrong-FAMILY feelings rather than hearing one woman using her guilt to imperil her people being portrayed as Great-yay!  And then to top it all off, it is Therapist Approved!  Come on, Archie!

-It is amazing to me that, in spite of being all moonish and anguished over Milah’s image, Hook never seems to think of Bae as Milah’s son, just Rumple’s.  In his private references to him it’s always the Dark One’s son or the kid the shadow’s looking for, only after Bae brings up Milah does Hook use her as a tool to persuade Bae into staying aboard.  This bugs me-just one more way in which Hook’s lovesick story is inconsistent.

-Technically, Cinderella’s baby was also born here, so Henry would have had it for company.

-I am gratified Granny was finally called in as babysitter, though.  Greg and Tamara wouldn’t get past her shotgun at Henry.

-There was a pathetic lack of Ruby.

-Emma’s magic powers are extremely convenient at all times, I must say.

-Was anyone else expecting Belle to wake up, remember all the bad things Gold let himself do at Lacey’s urging, and be all upset at him?  At least a little bit?  Make SOME comment about her Laciness?  After the town was saved, at any rate.

-I loooooove everything Regina in this episode!  On point, focused, and without even any really long speeches or claims.  That is the best media dying ever and no one ever, ever does it!

-Does everyone just assume if the diamond got sent to another land it would just not do anything, as opposed to simply exploding somewhere else?  Cause the random missile plan is truly not heroic.

-We’ve been over this-it took him forever, but Gold has magical security on his shop now!  Did Lacey let the dwarves in?  Also, we’ve been digging up memory-reviving fairy dust for weeks now and Sneezy STILL NEVER GOT HIS IDENTITY BACK???  THE HELL, SHOW?

-You’d think Ruby could survive as a wolf, right?  I mean, her wolf self did get born again in Storybrooke, so it was technically born there, sortof.

-I do finally buy a storyarc of Hook’s in this episode, though.  The reaching of his wearing-down point and willingness to try new tactics was believable and touching.

-These Lost Boys…first, do you suppose the confiscated shadows are then sold to the coachman in Pinnochio to be his creepy shadow workers on Pleasure Island?  Second, why are they dressed like Robin Hood?  Three, if they’ve just been looking for Henry all this time, as opposed to even a small short-list of desirable boys to kidnap, life in Neverland just got reeeeally boring.  I do not find this as Neverland version as intriguing or dangerous as others seem to, because….how frustrating and tedious is that?  Fourth, we saw a lot of scenes there at night.  Shouldn’t we have heard this creepy crying for parents Wendy spoke of?  Five, if there’s a picture of the boy the shadow wants, can’t he see whether he’s got the right one or not?  Geez.

-Please let Tamara and Greg be quickly dispatched and replaced by more interesting higher ups in the next episode.

-Someone could explain how Phillip got revived, perhaps?

-Perhaps we can finally get some Pirates of the Caribbean references?

-Also, Tiger Lily!  Get on it!

And that’s Season 2!

Once Upon a Time 2×16 “The Miller’s Daughter”

Now, this-THIS is the kind of episode I’m talking about!  *applauds*  SPOILERS AHEAD:

 

1. Rose McGowan was absolute perfection as young Cora.  She had a matter of minutes to take everyone on a journey, make Cora’s life understandable, make her death meaningful, and add more layers to Rumplestiltskin and Regina.  She hit a home run.

2. Granted, her story was not as perfect as the acting.  It’s hard to think there wouldn’t be a separate entrance for deliveries, particularly ones like flour that generally go to the pantry/kitchen area.  The straw into gold claim was…not great.  But she sold it so well I don’t even care.

3.  Rumplestiltskin sure does know how to make a girl feel powerful.  Mixing this gift of power with his attraction and affection would definitely make it harder for someone like Cora to understand the benefits of love on its own, without being intertwined with power.

4. It is very clear to me why Cora’s loving embrace did not affect the Dark One’s powers the way Belle’s kiss did in Fairy Tale Land: Cora loved him as the Dark One.  If anything, her kisses would keep him the Dark One, not efface it.  Belle loved him in spite of being the Dark One.  Hence, her true love’s kiss could turn him into the man she saw him as.

5.   Snow became real again this episode.  It was highly abrupt-if only she could have used that gift for persuasion on Regina at their meeting in the diner before the dagger was found, this could have all been different.  It was highly poetic justice for Cora-her first offer to corrupt Snow and achieve one of her vengeful goals comes true so as to kill her and parallel Snow’s pain in Regina.  Cora needed to die for many reasons, including the show’s pacing.  With Cora in the works there are just too many villains running about throwing off any sort of balance of power and absolutely wrecking Regina’s role.  Snow could never really have controlled Cora through her heart-she has enough sense to know that Cora would get it back somehow and it would all just start again.  Additionally, she probably knows that if she touched Cora’s heart she wouldn’t be able to keep from smothering it.  Most of all, Snow felt how ultimately unsatisfying it would be to kill a woman without a heart.  Cora was already bereft of everything Snow cares about-in order to really exact revenge Cora needed to die with her heart intact.  Rumplestiltskin did not really play a part in Snow’s calculations when she was acting.  He had shown her a path that gave her everything she ultimately wished about Cora-Snow had to carry it out that way because it was the perfect death for Cora, saving Rumplestiltskin’s life had no part in the thought process once she began.  I doubt Regina had much to do with it either-Regina could reach Cora and replace the heart.  Snow would never be able to get that close.  It was as simple as that.

6. Gold’s deathbed call to Belle was perfect, as was his simple follow-up with Bae.  It was the best way for Bae to start mending his relationship with his father.

7. Cora died wonderfully.   I’ve been thinking a more accurate name for this show might be: “All Mothers Die.”  Eva, Cora, Ruby’s mom, Mila, Gepetto’s mom, Jefferson’s wife, Hansel and Gretal’s mom, Cora’s mom is presumably dead, Snow’s chance to really be a mother to a child was killed so symbolically Snow-as-mother died, between giving up Henry originally and the current split from her lie, Emma’s motherhood is still at least not well, Regina’s ability to be a mother is questioned and denied constantly, even mother figures like Johanna get flung out of buildings…   The only mother who I think has escaped the curse is Cinderella and she’s not really in the show.  Plus, pretty much all the main storylines are running on mother deaths-Snow’s motivation, Regina’s motivation, Rumple’s arching misery, etc.  Ergo, “Once Upon a Time….All Mothers Die.”

8. I just adore it when Gold wins everything in the end.  I am Just Fine with that.  Bring it on, Gold.  It’s gonna be good.

Once Upon a Time 2×13 “Tiny”

Right, this episode sent us right back down into crumbling plots with crumbs that deserve picking territory.  This was for the SPOILER-FULL crumb -picking!

 

1. See, NEWCOMERS SHOULD BE THROWN OFF BY CARS.  How did Hook bypass this?  Cars should be even more dangerous to him since they are more threatening to human-sized folk!

2. Emma is really not doing her job-she knew that was coming.  She could have helped Gold roll up yon scarf and stick it in his pants pocket, or tie it round like a bad belt, or at least warned him about this.  That being said, Gold’s reaction to his scarf/magic problems are perfect and the very best things about this episode.

3. Seriously, people are just letting Hook wander around, leading them places?  You know if Cora really WAS on that ship she’d be waiting with the mother of all booby traps, and Hook would probably know it-you keep him in cuffs or something.  Also, you guys didn’t even pat him down to find out if he had anything useful like, ya know, giant-cage keys on him? You two really do need Emma and her half-ass sheriffing skills.  And you DEFINITELY don’t let him just waltz off to be unmonitored, allowing him to rendezvous with Cora messengers and whatever the hell else.

4.I know I complain about this every time, but…You don’t get to hit on people when you’re justifying your rampages on revenging losing your true love!  Somebody choke him or punch him in the face or something-rib aches are really unsatisfactory-you never actually see it and it just gives him an excuse to make annoying grunting noises while nonsensically smarming around.  For the love of God, just stop it.

5. On this Jacquelyn, there are several points: 1. Hook said “he” when speaking of Jack the Giant Killer and obviously there wasn’t enough time for the story to get warped and misremembered by the time he would have heard it. 2. Did Hook hear it from Cora, or what?  He was in Neverland before that happened!  And Cora would know, but she doesn’t seem like much of a storyteller.  Also, she definitely would have kept in the part about the villain being a woman.  It makes no sense. 3. So now we’re supposed to believe Jacqueline has the stupidity to have her sword engraved with the word “Jack”?  Just no.  4. Tiny told Emma the story of the slaughter-and he pointed to Jacqueline as the big bad, not James.  You’d think he would have mentioned it-he had nothing to do but sit there and babble at her, after all.  Mention all the bad guys you can, guy.  That’s just purposeful obscurity for the show that the character would never actually do, and that is my pet peeve.  Bah!  5. And how did she travel to and from Wonderland?  This is important.  Also, it provides more evidence that Cora would have known about her as a woman and would have no reason to mislead Hook.

6. So, how did Hook escape from Tiny after Emma left, now?  He mentioned something about getting past the stupid giant-we think he let him live?  That’s out of character and not the implication I got from that.

7. On the plus side, the poison on the swords thing does explain why Tiny can’t really clean up the skeleton on his floor or move the sharp sword out of the way.

8. No one tried to call Emma on their cell phone so she could talk Tiny down?  You guys aren’t the ones new to modern technology, at least try these things.

9. If James stole all that treasure to pay back King Midas, how come he was still supposed to kill the beast?  Does he have a gambling problem?  Or King George?

10. Man, Charming’s hands must have killer rope-burns.

11.  It’s now just official that Belle must just remember nothing other than stereotypes about Maine life, not even her time in the asylum.  This makes me very upset, but I’ll be more upset if I keep trying to make it match up and make sense, since that does not appear to be happening, ever.  I shall endeavor to let that go.  For her scene in this episode, however, the lack of continuity made me so ticked off that I can’t even think about anything that’s happening with her and stranger dude.  You know it’s bad when Ruby can’t save a scene.  *le sigh*

Here’s to a Gold-focused episode next week!

Once Upon a Time 2×11 and 2×12

SPOILERS AHEAD

2×11 “The Outsider”

1. If Hook had any intelligence at all, he would have realized Belle was important to Rumpelstiltskin after Regina stopped him killing her in Fairy Tale Land.  This could well be the case, but I’m trying to give this character the best chance I can, so let’s say he can put two and two together.  Ergo, he found out about the shawl from Archie, not Belle.  In that case: how does Archie know?  We never see Mr. Gold going to counseling.  Once Hook has it, why doesn’t he burn it or tear it or something?  Much more sure than just luring him after it.  Is his whole plan just to lure Gold there so he can alienate his girl by killing him?  That seems more calculated than Hook is capable of, and also not particularly satisfying to Hook as he wouldn’t get to see Rumpelstiltskin being in pain.  This whole thing with the shawl is just strange when he stashed it somewhere but didn’t do anything to harm it.

2. Why is there not something somewhere to indicate that Hook had to learn what cars are?  My first thought at the end was, “Of course Hook gets it-he doesn’t know about cars.”  Yet clearly he followed Gold and Belle in their car.  It still makes sense he’d be less aware of the car sounds that mean danger and thus get hit, but the point is: Hook should be in a totally foreign land and we’ve seen him being nothing but totally self-assured.  I have a problem with this.

3. Belle escapes from Hook by going into….the elevator.  Granted, the mechanisms in that building look whackadoo, but are we really supposed to believe a pirate can’t turn the knobs and figure it out?  He did just see her do it, after all.  The most obvious answer is that we find out Hook just wanted a diversion, not to get to Belle, but still-how did Belle and Gold fall for that?

4. Speaking of Hook’s strange behavior at the library, why in the hell would he need a random rope knot there?  Did he just drop it as a clue?  I mean, really.

5. Most importantly, as I’ve been saying since season one: RUMPLESTILTSKIN, OF ALL PEOPLE, SHOULD HAVE ALL KINDS OF SECURITY ON HIS SHOP.  I do not understand this lack of security-he knows he’s got a lot of people’s valuable things, he knows the people have now remembered the things they want, he knows he has enemies, he has magic, HOW DOES HE NOT PUT MAGICAL SECURITY ON HIS GODDAMN SHOP?  This will never stop vexing me.

6. Why didn’t Philip write in other languages, too?  He’s a prince, he probably learned more than one.  The language of the realm you’re in is an excellent place to start, but if that doesn’t work, why not try others?

7. The ending was wonderful and did manage to save this overall sloppy and vexing episode.  Let’s face it-that ending was awesome.

2×12, “In the Name of the Brother”

1. The dilemma of whether or not to let stranger die makes no sense.  In their very first look at the cell phone, they say that if people don’t hear from him they’ll come looking.  If they let the guy die then not only will people come to Storybrooke, they’ll come already armed with lawyers, coroners, and police.  This is far from the solution to everyone’s problems.  Make sense, please.

2. You’d think with Emma’s experience with the law she’d be better at playing sheriff.

3. Rumplestiltskin is doing everything I expect him to do.  Trying to cure her with true love’s kiss, check.  Trying to convince her even when he shouldn’t, check.  Managing to make the cup a talisman raises questions as last episode he claimed he didn’t have enough potion to enchant anything after the shawl and therefore she couldn’t come.  The shawl’s been enchanted and hey, presto-he’s made some more.  Clearly, he just didn’t really want Belle to come along or else didn’t care enough about it before to wait, or else he could’ve just stayed the extra, what-day?  And made Belle her talisman before.  This is a fly in the ambrosia of their love story. (In my head the real answer is that he feels it’d be unfair to her and that it will go better if he shows up alone instead of with a for all intents and purposes stepmother, but still.  Don’t lie about it, just say that.)

4. Belle’s behavior does not sit well with me.  If she doesn’t remember Gold at all, than she must only remember the asylum.  If she only remembers the asylum, how the hell would she know if castles and magic are crazy or not?  She shouldn’t.  Someone telling her she was someplace she couldn’t remember would still be freaky, particularly with a gunshot wound and no memory of how she came to be in that circumstance, but she shouldn’t be sitting there telling him magical things are crazy.  Get away from her-yes, magic isn’t real-no.  Moreover, we saw her being rescued by a genuinely crazy and creepy-talking man: Jefferson.  She was far from freaked out at him.  Thus, even Belle’s awareness of creepy guys should not be this high.  Again, some yes, with the gunshot wound and outside of the place she remembers.  But they had her talking like someone with memories of a normal Maine life, and she. is. not.  (By the way, this is not to be construed as me being angry at her for putting Gold off or breaking the cup, because even without specifically knowing magic is bad and having lowered creep awareness, that could well have happened.  I am upset at the writers for making Belle’s behavior inconsistent with their own story.)

5. Again, Ruby rocks, saves the day, and should always be in charge.

6. Why is no one concerned with Dr. Whale operating when he’s drunk?  This just doesn’t seem to be a thing?

7.  I do admire Cora.  Wish there’d been more explanation of the globe, however.  Also, it does not vex me that she managed to get into Rumple’s, hopefully at least by now, MAGICALLY SECURED shop.  She’s the Queen of Hearts.

8. It makes total sense to me that Gold wants Emma with him.  This is no longer going to be the long-as-it-takes, reunion with his son that he planned.  Gold wants to get back to Belle as soon as possible, making this a fetching trip.  Gold no longer has time to accustom himself to the outside world, it’ll go faster with someone who knows it.  Moreover, he doesn’t know if Bae will want to see him, let alone want to come back to Storybrooke with him, and having someone along with him will help Gold control his urges and get his son to come back without alienating him too much.  Or at least, the chances would be better in Gold’s head.  Moreover, Emma reunited with her son after years apart and therefore should have more sympathy for him and his quest than the others.

All in all, a much better episode.  I am excited to see what comes next!

Once Upon a Time 2×9 “Queen of Hearts”

Well, that was a veritable cheesecake of cheesiness, family-home toppings, and crumbling plot points.  I’ll allow it because the holidays are almost here.

 

Spoilers and Thoughts:

1. For an episode called “Queen of Hearts” there was disappointingly little Wonderland.

2. They are doing it again, with trying to make Hook everything all at once: he’s the anguished, heartbroken lover who can’t rest without revenge.  He’s the callous pirate about to murder Belle for no reason other than frustration.  He’s the chivalrous pirate who freely returns Aurora’s heart.  He’s the badboy player who makes lots of references to sex and women losing their hearts to him.  He’s trying to have chemistry with Emma.  Just STOP IT.  Also, saying right out you would’ve betrayed Cora if Emma hadn’t tied you up right in front of the witch-mother herself was an absurdly stupid thing to do.  Why she just smiled I can’t say.  Perhaps she assumed it was a lie.  Simply couldn’t waste time on the fool when she’s close to reaching Regina.  Whatever-it was idiotic.

3. I am Extremely Gratified to see that with David out of the picture people did indeed begin to call in Ruby when there was an emergency.  Very good.  Perhaps we can keep that up as he will be busy with his family.

4. I am unclear on why no one but Ruby and Henry ran after Rumplestiltskin and Regina.  If no one steals from a dwarf, shouldn’t the dwarves have gone?  The only reason is that the show needed it to be only Henry who convinced Regina to switch sides in order to bake in more cheesy goodness.  I’m not adverse to that result, but there should be a reason why others couldn’t come.  Perhaps holding vigil over sleeping cursed people is addictive and they just couldn’t look away?  Could be the start of the fascination with zombies in Storybrooke.

5.  So, did Hook kill the giant in order to get the dead bean and we just totally glossed over that bit?

6. If they try to make the whole convoluted ‘we all get back because there’s really two ways that Hook knew all the time’ thing something he kindof did on purpose because he likes Emma and just wanted her to be in the new land with him, I will cut things.

7. Goddamn, Belle’s history gets more glum every time we see it.  Someone get the girl a tasting position on Iron Chef for the foreseeable future.

8. I dearly hope Cora’s keeping her heart the same way the villains do in Russian tales-in an egg, in a duck, in a fox, in a chest, at the top of the tallest tree (or similar things), and guarded by a fierce beast-in Cora’s case, the Jabberwocky.  I need this to happen.

9. I think everyone’s forgotten that Rumplestiltskin would also have ruptured feelings upon seeing a son abandon the parent who just magically tried to do everything they could to protect them.  After all, that’s EXACTLY what happened to Rumplestiltskin.  Granted, the details would give Rumplestiltskin a lot more guilt than Regina’s, but that will only make his emotional trauma worse.  His taunts to Regina could well be the automatic mechanism he’s built up in order to deflect his own tumultuous feelings.  Not that I promote taunting, but if we’re going to feel sympathy for Regina in this situation, Rumplestiltskin deserves a little, too.

10. Do we think the show will remember that magic is supposed to be different in Storybrooke and make her have trouble, or will they conveniently bypass that aspect on the argument that she came from a magical world to one which currently also had magic?

La Belle or Le Clueless?

During my visit this past week I watched two movies.  The first was a rewatch of Clueless.  The second was new to me, the cult classic La Belle et Le Bete (Jean Cocteau’s French film of Beauty and the Beast).  Unexpectedly, I discovered that these two films-American and French, modern and black-and-white-have much in common!

List of Similarities between Clueless and La Belle et Le Bete (some spoilers may apply):

1) Both protagonists have lost their mothers.

2) Neither Cher nor Belle can bear to leave their fathers.

3) Smoke causes a great deal of shame in both stories, by marking Travis as running in inferior circles and humiliating the beast for his beastly eating habits.

4) Makeovers are absolutely essential! (Tai, Cher’s soul, Belle’s clothing transformation, the Beast’s change…)

5) Both heroines put up with a man who’s constantly in their home and with their family, even though there’s no real family tie. (WHY is Avenant always there???  He doesn’t need to marry Belle to enjoy any money her father gets, he’ll be there enjoying whatever they’ve got anyhow.)

6) The role of lighting plays a huge part in dealing with the opposite sex. (Cher’s lighting plan, arms with torches…)

7) Both girls take it upon themselves to rehabilitate a social pariah. (Cher with Tai and Belle with the Beast, of course.)

8) Neither Cher nor Belle has any difficulty getting blunt and contemptuous with suitors. (“Clean yourself up!” “As if!”-Now, imagine those being used interchangeably with Cher ordering the greasy high school boys to ‘clean up, already!’ and Belle answering the Beast with ‘As if!’)

9) Neither are at all responsible when it comes to the practical things in life. (Cher’s driving, Belle’s failure to keep track of the key or to return on time.)

10) When they feel guilty, they both play sick. (Cher saying she’s physically unwell because her masseuse said she had a lot of tension after the encounter with Elton.  Belle lying in bed claiming illness from worry over her father while wearing a freaking crown-and-veil combo!)

The more I think about it the more this version of Beauty and the Beast seems like Emma-where the person you end up with is that one who’s been around, getting under your skin for ages.  Only the more modern tale made the male’s righteousness idealistic instead of arrogant or creepy.  (Can we talk about how absurd it is to hug someone to your chest by pulling an arrow across them?  I know I can’t, I can only stare agog.  Avenant is totally the Elton of the fairy tale universe.)  The other major difference is, of course, the posing.  The French classic takes posing literally and extremely seriously.  The Austen modernization interprets it more loosely as projecting a certain lifestyle over yourself.  So much else seems the same-a magic mirror would probably work exactly the same as the phone connection between Cher and Dionne.  Amber dressing in the same clothes as Cher effects her just the way Belle’s sister reacted to seeing herself reflected as a monkey.  Cher’s computerized clothing system and moving closet is akin to being dressed by invisible hands-though thankfully Cher has nothing as creepy as Belle’s moving blankets.  Belle’s feeling of power that the beast drinks from her hands, in spite of how clearly the event pales compared to his wild-animal instincts, is akin to Cher’s entitlement when she calls Josh to rescue her after being abandoned by Elton.  She assumes he will come when she calls, even though he has no real motivation.  Josh’s interest in the law and therefore Cher’s circle due to his own parents’ disinterest in him could arguably be akin to the Beast getting pushed into magic due to his parents’ angering of the spirits.  Now, if only I can figure out how this connection can explain the flying at the end of La Belle and Le Bete…

Belle is “a strange girl.”  On the other hand, Emma/Cher actually end up with their brother-types, instead of just getting stuck with someone in their body (though I’m sure the symbolism there means more in its lesson to girls about who the best man to end up with is).  In any event, it all ends with a big kiss frightfully soon after the switch from brother-type to suitor is made.    In really frilly clothes.  Because the girl will “get used to” the man telling her how to think and act, whether he’s a beast, prince, or college kid.  Because clearly, the man must know what is best for the woman.  Perhaps because he has the power of movement: Josh can drive.  The beast had all sorts of transportation devices.  That must be why he can fly at the end!  To show that in spite of losing his magical objects, he still has the power to move, to make his way in the world.  That is why he’s still acceptable-even if he’s a bit too familiar, Belle won’t be stuck in the same place again.  (Avenant offering to take Belle away didn’t work because he had no magic/power to back it up.  The man had no driver’s license!)

Well…smoke my statues’ faces and send myself flowers and chocolates: I know why the ex-beast can fly!  Now…why did the father seem more upset about riding through fog than the fact that he just lost his entire fortune?