The White Queen 1×4 “The Bad Queen”

Also known as “Everyone gets divided, and if there are reunions there’s something creepy involved so we can’t ever all just be happy.”

We have finally reached regular historical drama genre standards of this era of “Game of Thrones” and “Borgias’.  Sex is horrifying, no one trusts anyone else, and it is clear that absolutely everything will get fucked over.  So far, so good.  The show contains its tone by continuing to draw lots of parallels between anyone it possibly can and by doing so through quiet moments.  That’s the odd thing about this show-its hardest attempts at realization are always through quiet, odd moments rather than anything with flair or that causes that satisfying click that most show parallels manage.  Yet, it seems to be that way by choice, rather than misdirection.  It is interesting.  “The White Queen” is clearly going for the opposite of instant gratification.  I’m not sure what all that is yet, but I’d better find out by the end of the season.

 

SPOILERS:

First, let’s count the divisions that happened:

-Margaret from her son Henry

-Elizabeth from her oldest 2 sons

-Henry from his mother, then his other guardian

-Izzie from Ann

-Margaret of Anjou from Henry VI

-Elizabeth Woodville from Edward IV

-Warwick from his family

-Jasper from Henry and Margaret

-Elizabeth from Jaquetta

Reunions with something creepy/weird involved:

-Henry’s total fealty reunion with his mom

-Everyone’s reunion with Henry VI

-Jaquetta’s reunion with Elizabeth was too convenient and timely to be plausible

-Jasper’s reunion causes even Margaret’s long-suffering husband to get his creepy glare on

 

It’s just the thing.  Now, onto other notes:

 

1. Now Edward Lancaster looks like the creepy teenage hoodlum lurking creepily outside a drugstore.  WHY do the two princes involved with Ann Neville have modern-day teenager stereotype looks??

2. I really like the way Countess Warwick’s hair looks when she’s wearing her tiara and at official functions.  It’s my first costume ooh.

3. Margaret of Anjou was not as impressive as I wished her to be.  Perhaps if she had some time to be odious with just her son?  Maybe it’s just that I already know how her judgment of things works out.  Hmm.

4. Warwick beheading random lords who’ve just been upgraded to good lands with his own hands is odd.  Him going to behead a random kid and then immediately taking him at his word at the cry of “Tudor” stretches the mind.

5. Didn’t Jasper also tell the boy about him having a claim to the throne and being a total Tudor?  Cause it was pretty clear that he was all “Henry Tudor” and also much closer to the kid.  Why is the recognition of the Tudor name leading solely to Margaret here?  Shouldn’t the kid be all, hurrah-Jasper was right?  Or at least, hurrah!-Lancasters should totally always guide me?

6. I kept expecting Henry VI to yell out nonsense or somehow embarrass his supporters.  Next time, perhaps?

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Similar Posts:

-https://wheresmytower.wordpress.com/2013/07/30/the-white-queen-1×1-in-love-with-the-king/

https://wheresmytower.wordpress.com/2013/06/19/the-borgia-bulletin-3×7-lucrezias-spoilers/

https://wheresmytower.wordpress.com/2012/08/24/the-night-lands-got-2×2/

The White Queen 1×2 “The Price of Power”

This episode is all about drawing allegiance lines and telling the audience what side everyone’s on.  Also, about jumping right to the parts that have the simplest bad guy/good guy dynamics and, when that won’t quite fit in, have characters tell fairy tale versions of things where the “bad” people are devilspawn and werewolves.  It’s kindof relaxing, really.  They like to tell you things rather than expecting you to think, so you can just plunk yourself down and revel in all the foreshadowing.  Which is not to say things are bad, it just feels more like watching a romance drama than a political scheming intrigue one.  Usually, you feel compelled to side with schemers, etc.  With this one you’re really just letting them take care of their own fights and leaning into the ride.  Need to be in the right mood.

 

SAFE-TO-READ thoughts:

1. I am starting to really like Isabel Neville this episode.  The second the script let her grow more than one dimension she became engaging, particularly in her relationship with Anne.

2. Anne Neville herself has clearly been told to play her single dimension up as much as she can, and she complies.  It had better change soon.

3. I love Warwick’s furry-shoulders cape.

4. I appreciate how they make everything feel sudden.  Very helpful for keeping up interest, when you already know what’s going to happen.  It also feels more authentic.

5. It is really amusing to see what lengths they will go to to make sure everyone in the audience knows who everyone’s going to be as soon as humanly possible.

6. The magic sideline begins to swing in a dull direction rather than the fun one here, though.  Swing back-swing it back!

7. This portrayal of Richard remains sidelined, absurd, and somehow geek-vibed, though.  They had all better get on that.

 

SPOILERS:

1.The Duke of Buckingham and Catherine together-I luuuuuurve it.  Particularly when she’s swinging her feet.  Child-Marriage, FTW!

2. Okay, seriously, Edward rides off WITHOUT A SINGLE DAMN BODYGUARD when he retreats from Warwick’s army??  No.  Just no.  Take his fucking head when that happens.

3. So, they just let Edward send off letters giving Elizabeth advice?  And with a messenger that got there faster than Anthony?  >.>

4. I do appreciate how they’re keeping all the butchery things somehow one place removed-through dreams or flashbacks.  It lets the actual sadness of the moment and the drama of the living characters overshadow everything and connects the audience to them, rather than their own thoughts, feelings, or lack there of concerning the deaths.  I think that’s smart, especially considering how short a time we’ve known anyone in this show.

5. Is it just me or did the wording of all concerned when Warwick made his move just sound like Woodvilles=Always Right!, even Edward IV=wrong!?  Cause that’ll get annoying.

6. Margaret Beaufort, why don’t I care about this version of you?

7. I am saddened that Henry VI did not get to indulge his insanity on camera.  It’s his one opportunity to have fun, after all.