Once Upon a Time 2×15 “The Queen is Dead”

SPOILERS AHEAD

1. As “Bae was a Lost Boy” was always my go-to acceptable reason for his age, I suppose it can be permissible, although really-they cannot take much longer before giving us details.

2. I really love the fact that good queen Eva got the sparkly red gown while Regina appears in the white dress (in the genie episode).

3. Little Snow’s sparkly pink party dress is the ultimate Disney marketing ploy.

4. Mrs. Patmore/Johanna is ALWAYS appreciated by her beneficent masters!

5. How could Snow not know people made it to Storybrooke?  There is seriously not enough reunions and searchings going on since the curse broke.  This is Gus being murdered and no one else from Cinderella showing up all over again!  Shame on everyone.

6. FINALLY, finally Gold has placed magical protection on his shop.  I am SO relieved.

7. When Snow said she had a plan to make Cora distrust her mother I thought she was going to, you know, start talking to her about her mother.  No one likes being told you’re wrong-and-I’m-right OR do-what-I-say-or-else and Snow did BOTH before even introducing anything about Cora to the conversation.  She could have used Henry, she could have used facts she remembered about Cora, she could have done So. Much. Better. in her mission.  But no, she got preachy and I wouldn’t blame Regina if for that reason alone she stopped considering crossing Cora.  The real issue here isn’t weather good wins, it’s weather you can figure out how to be good while still being considerate enough to get over yourself and talk to people, rather than preaching at them or beating them over the head with platitudes.

8. I love the dagger’s hiding place.

9. Seriously, Cora made Regina do the digging when they were searching for the buried dagger, rather than magicing it up?

10. The Blue Fairy continues to be utterly useless at anything other than saying “this is the last of its kind” and often being wrong.

11. So…how exactly did Hook find Gold?  Is he also an excellent tracker now?

12. Seriously, no one thinks to text Gold or Emma again about this your dagger’s been taken issue?

13. Is anyone seriously surprised about Cora’s engineering of queen Eva’s death?  Or anything else?  I could have done with other flashbacks this episode, although I did love the costuming.

14. On Cora-honestly, her death is the best possible shot at happiness for….everyone, up to and including her.  Killing her should be everyone’s logical priority for the side of good winning, not Snow’s crisis of faith about good being workable.

15. I am very much looking forward to the tale of the Miller’s Daughter, though.

 

 

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Downton Abbey 2012 Christmas Special

Downton Abbey goes Scottish!  Spoilery thoughts below (random things first and more overall storyline ones later, because that’s how I take my Downton):

 

1. I love everyone’s faces as the bagpiper goes around the table.  Next time I need to find out anyone’s real personality in a pinch I’m gonna get in a bagpiper.  Their face will tell me all I need to know about their gut reactions to things.

2. I really liked how Cora’s reaction to the Susan-Rose dynamic brought up Sybil so palpably.  It hit just the right balance between connecting to the past to hold the story believably together and not dwelling on the past so much it’s melodramatic and and a buzzkill.

3. I LOVE Rose’s dress that makes her look like a “slut.”  Yes, I would have loved anything that makes a Downton Abbey character call slut, but I genuinely like that color on Rose and the way the back straps fly.

4. KILTS.  That is all.

5. I really want to know how the Scottish fans felt about having Gilly (the Scottish accented servant) described as speaking with a voice from a “bygone age.”  That just seemed like an odd and badly-chosen term.

6. Seeing someone naked is TOTALLY the way to know how ‘nice’ someone is.  Let everyone who’s not been called back by someone after they had sex know-there should have been clues in their naked body that they were not nice enough to call.  That line was hilarious.

7. I know it’s taking awhile, but I’m tickled coral pink by the Edith Eyre storyline.  Plus, if the show pushed that relationship any quicker it’d seem more like a flighty, ill-considered, irresponsible gambit such as Edith’s been entangled in before, rather than the real relationship it’s evolving into now.  That being said, Gregson needs to figure out how to make his case without this incessant whining.  Rochester had cross-dressing, storming, and domination to overshadow his complaints, and no matter how you feel about that in a romantic hero, it beats the hell out of whining.  Gregson needs to get something like that soon.

8. Hurrah for the fair!  Just what we need in order to keep Carson’s range of disapproval going.  Carson’s Disapproval is like garlic-the always reliable, tasty, basic ingredient of this show.

9. They actually found a baby whose facial features reminded me of Sybil.  I am impressed.

10. I think incorporating Rose into the season is a very smart move.  They need more young blood, particularly with more mourning around, and there’s an awful lot of potential for interesting dynamics between her and both Cora and Maggie Smith.

11. Mrs. Patmore was the cutest thing all episode long.  Wearing a coat over her blouse so it doesn’t “jump” on people is exactly the sort of thing I’d say back then.  I would have liked it a little better if they’d shown the spice guy taking at least a few moments to try and distract Mrs. Patmore before flirting with other girls so she’d have at least that excuse and he’d be showing her at least that pinch of respect, but it’ll do.  Mainly because of the way Patmore SOLD IT when she was overcome with relief at finding out he wasn’t a real opportunity.

12. I really liked the Jimmy and Tom storyline.  Is it a little sad that Tom had to be physically assaulted to earn Jimmy’s acceptance?  Of course.  Is it believable?  Hell yeah, and good TV to boot.  When you’re constantly living with someone it’s really hard to do something out-of-the-ordinary enough to really change their opinion of you.  It made total sense to me that something that dramatic actually had to happen in order to alter their dynamic, so this didn’t even feel like punching it up to make drama like sometimes happens with this show.  It was really well done.  Also, I vehemently disagree with those who think friendship will be more cruel to Tom than awkwardness.  Tom feels guilt at himself, he feels disgust-whenever he encountered awkwardness from Jimmy all those internalized things from society would be emphasized and strengthened.  Tom needs Jimmy’s acceptance to feel all right about himself again, to erase the guilt, and to just feel like a proper human being with rights instead of the disgraced, shameful person he’d been before.  Also, I don’t think this is how the show will play it up, but in my head it makes total sense that once Jimmy does accept and forgive him, Tom will be able to stop obsessing about him.  Let’s face it-he didn’t know Jimmy enough to have anything like serious feelings for him, he was just a hot piece of ass who seemed to maybe actually be GAY and HERE and that was TOO GOOD TO BE TRUE.  It’s not love-Tom is obsessed with this because of what the reaction did to him, and now that it’s FINALLY blowing over they should be able to be true friends and even the sexual tension should start getting erased.  It’ll be great.

13. It made me so happy and Christmassy to see Ivy and Daisy, and Alfred and Jimmy, being friends.  Just everything about it=merry!

14. I took a quiz during Season 1 about which Downton Abbey character I was, and got Anna.  This first time I have ever been able to see it is when she sat there saying, “I am racy.”

15. Did anyone else expect O’Brien to get hired by Susan and jaunt off to India?  She said she’d like to see a new place, she’s losing her position on the show as evil mistress due to lack of enemies now Alfred’s all settled, and she’s totally in with Susan because of the hair issue.  I’m still surprised that did not happen.

16. Perhaps it’s because I missed the episode where Sybil died, but Matthew’s death didn’t seem in any way over-the-top or too cliched to me.  Was it a cliche?  TOTALLY.  I sat there from the instant he was all joyful-looking in his car to the end of the show saying, “They’re doing it!”  However, it felt like a Niagra Falls type of cliche: Is it what you want?  No.  Does it have any bearing on real life?  Not so much anymore, but there was a time.  Is it shiny and foreseeable?  Utterly so.  Is it incredibly easy to just melt into it and let it run its course?  For me-yes.  That’s what’s going to happen, it made sense, it was there, it fit in with the time and the series’ shiny way, and it went.  (Also, it reminded me of “Lady and the Tramp.”)  I’m fine with it.

17. Well, Branson finally got a taste of his own stalkery-bullying-persistent method of courtship.  It seems fitting.

18. Everyone needs to stop predicting Branson and Mary getting together.  That is utterly absurd.  If it happens I will have to stop watching.  Even if it is going to happen, let me keep my illusions that the writers have more sense than that for as long as possible.

19. Hurrah, Downton Abbey!  This one really worked for me.  I loved it!

Downton Abbey 3×3

This episode seemed really choppy and not as well written.  The problems were pretty much all based on a lack of proper communication skills, which I have very little patience for.

 

SPOILERS

 

Well, at least we got through the wedding without Anthony dying.  It felt really abrupt, though.  Obviously the full jilted-at-altar affect was achieved for those in the series, but for me it would’ve felt more weighty if they’d let the wedding continue for a few more words.  It amused me how Sibyl and Branson were there with no fuss and suddenly people remembered Sibyl’s pregnant.  Edith’s wedding dress beat Mary’s hollow and at least we did get to see her ceremony, unsuccessful as it was.  Unfortunately, it’s painfully obvious these people have no idea how to deal with these things.  You send up alcohol and chocolate, not sandwiches.  Luckily, Edith’s a trooper and managed not to Miss Haversham herself without these basic provisions.

 

The lobster candelabra dish amused me.  I wish we’d seen someone get to enjoy that cake after it looked so lovely.

 

The Bates storyline straggles along incredibly slowly.  That mysterious paper roll better be awesome.  I think it’d have been better to drop him for a bit and actually give us a decent bit of information when he comes up-we learned nothing here, really.  If I’m going to care about these events I need more than that at a time.  Otherwise the mystery will fade no matter how good the explanation is.

 

Carson is the worst stealth-detective ever, but is very sweet about things.  O’Brien was much slower on the uptake of the next move in the servant wars than I expect of her.  Daisy’s coping with a more feminist approach to life is wonderful and much more real to me than Sibyl’s.  I do really like Alfred now, I realized.  Mrs. Hughes and Mrs. Patmore continue their good work.

 

Matthew has yet to realize how marriage works.  It may have been necessary to make pronouncements with his mom, but when the woman’s your wife, you need to discuss things and listen to feelings and agree to at least talk about things.  Mary at least is trying to discuss things.

 

So, what we’ve learned is: no one here knows how to just enjoy a wedding celebration and all the menfolk are absurdly attached to delays, stubbornness in order to get a false sense of control, and guilt trips.  Interminable guilt trips.  Hopefully things will improve now the money issue is officially eased.