Colossus: Stone and Steel

Colossus: Stone and Steel

By: David Blixt

(http://www.davidblixt.com/)

Sordelet Ink (April 23, 2012)

An historical fiction review

Filled with factions and smarting from insults, ancient Judea rebels against Nero’s Rome.  With both sides sporting an injury, the insurrection sparks a war complete with heroes, poetry, and slaughter.  Through the eyes of twin masons, Judah the warrior and Asher the scholar, and the opportunistic leader Yosef, Blixt builds Colossus: Stone and Steel into a story where perceptions are paramount.  Where do you come from?  Who is your god?  What is your history?  Do you truly know your real purpose in life?  And above all, what would you sacrifice to prove your chosen answers real?

With broad strokes of suspense and meticulous details of authenticity, this novel asks a lot of its readers.  Blixt taxes memories and asks for tithes of understanding by refusing to create a simple narrative or reduce the questions brought up by dissension.  The conflicts in this work are myriad: cultural, political, religious, moral.  Even asking these difficult questions, Blixt’s writing assaults the emotions.  The reader gets entangled in the confusing mixture of attempted reason and subjective response that the characters experience.  It’s an absorbing work, driven by characters as much as ideas.  Tied to the fortunes of Judah, Asher, or any other noteworthy player, Colossus: Stone and Steel offers joy, relief, and thrills.  The historical reasons and horrifying barbarities of the war provide a different kind of appeal.  As usual, Blixt’s novel invites intellectual debate.

Like a Roman legion, Colossus: Stone and Steel attacks its subject thoroughly, aggressively, and with the full weight of history, symbolism, and authority behind it.  Only under Blixt’s command, destruction becomes a lens to study the world, as well as a call to comprehend its peoples.

Fortune’s Fool

Fortune’s Fool (sequel to Master of Verona and Voice of the Falconer)

By: David Blixt

(http://www.davidblixt.com/)

Sordelet Inc. (April 23, 2012)

An historical fiction review

Blixt’s Star-Cross’d series has always been bursting with secrets, additional flavor for the action-filled plots.  Fortune’s Fool, however, allows secrets the place of prominence.  While plenty of incidents occur throughout this novel, the driving force behind this part of Blixt’s story is mystery.  Pietro Alighieri, Dante’s oldest son, finds his mission to the Avignon papacy opposed by a hidden foe.  Antonia Alighieri and Cangrande both face unknown malefactors.  Cesco encounters a mysterious assailant.  In the midst of grappling with religion, politics, and changing relationships, Blixt’s characters must deal with their personal puzzles and endure their separate trials.

This book differs from its predecessors in many ways.  The shift from action to mystery slows the pace, considerably where Pietro is concerned.  The overall isolation of the characters from each other for much of the story changes the personal dynamics not only for them, but for the readers.  The prior two novels highlighted a couple main characters, while this one’s focus is more spread out.  More significantly, this narrative brings a darker, more raw feel to the story.  While sex, malice, and the message that life is pain have always been a part of this story, Fortune’s Fool throws those elements front and center.  It feels like the middle of a story, where things get sticky and difficult to chew.  The discovery that Fortune’s Fool began as the middle of a longer sequel that had to be split up put this book in the frame I was comfortable with.  Blixt fleshed out this novel enough to hold my attention and build my intrigue, but it lacked that special luster I expect from finishing a Blixt book.  Knowing that there’s another installation to come in this arc explains everything.  The second part of any trilogy tends to offer more darkness and less gratification; if it holds up and builds the story then it works.  Fortune’s Fool certainly achieves that!       

This work contains many compelling pieces.  The verbal sparring remains brilliant, more side characters get a chance to shine, and we get a taste of new love.  The writing style is still excellent, if heavier.  The cast don’t get to play off each other as much, but their individual journeys keep them whole and emotionally connected to their audience.  In short, everything in this book works well.  As the second of a three-part installation, it works very well.  It would be even better if there had been something to chase that sticky, hard-to-chew, filling taste.  When you bite into that candy, you want the filling to be there, working with that sweet outer shell of chocolate.  Without that sliver of sweetness to encase it, the taste is missing an element of satisfaction.  Like a good filling, I enjoyed this book very much, but…now I want my chocolate shell.